| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 63756 |
|
The Adoration of the Trinity |
1511 Oil on lindenwood Kunsthistorisches Museum, Vienna The landscape at the bottom of the panel stretches into the far distance. A lone figure stands on the land - the artist, who has depicted the earthly community being reunited with the realm of heaven. His hand rests on a panel which is inscribed: `Albrecht D?rer of Nuremberg made this 1511 years after the Virgin.'Artist:D?RER, Albrecht Title: The Adoration of the Trinity (detail) Painted in 1501-1550 , German - - painting : religious |
| 88404 |
|
The Adoration of the Trinity |
1511(1511)
Medium Oil on linden
Dimensions Height: 135 cm (53.1 in). Width: 123.4 cm (48.6 in).
cjr |
| 92060 |
|
The Adoration of the Trinity |
1511(1511)
Medium oil on linden
cyf |
| 92061 |
|
The Adoration of the Trinity |
1511(1511)
Medium oil on linden
cyf |
| 21360 |
|
The Adoration of the Trinity (mk08) |
1511
Oil tempera on wood
135x123cm
Vienna,Kunsthistorisches Museum |
| 39697 |
|
The All Saints altarpiece |
mk150
1511
135x126.3cm
|
| 39694 |
|
The AllSaints altarpiece |
mk150
1511
135x126.3cm
|
| 42427 |
|
The Angel with the key to the Bottomless Pit |
mk168
393x283mm
|
| 42429 |
|
The Apocalyptic woman and the seven-Headed Dragon |
mk168
392x279mm
|
| 96586 |
|
The Apostle James the Elder |
1516(1516)
Medium tempera on canvas
Dimensions Height: 45 cm (17.7 in). Width: 38 cm (15 in).
cjr |
| 42490 |
|
The Apostle paul and the evangelist Mark |
mk168
Oil on linden wood
214x76cm
|
| 42489 |
|
The Apostles john and Peter |
mk168
1528
|
| 63750 |
|
The Apostles Philip and James |
1516 Tempera on canvas, 45 x 38 and 46 x 37 cm Galleria degli Uffizi, Florence D?rer's monogram and the date are visible in the upper part of the two canvases, which are part of a series of twelve heads of apostles which the artist planned, though never completed. The two heads are constructed with an incisive and meticulous line, a reflection of D?rer's troubled search for moral austerity. We may recall that this was a particularly delicate time in German history, shortly before the emergence of Martin Luther and the Reformation. The two saints inspire a diffuse sense of solemn veneration, in the passionate, severe eyes, the embittered curve of the mouths, and the overabundant beards, depicted as heavy, noble masses of coiling hair.Artist:D?RER, Albrecht Title: The Apostles Philip and James Painted in 1501-1550 , German - - painting : religious |
| 42428 |
|
The Babylonian Whore |
mk168
392x282mm
|
| 63601 |
|
The Bagpiper |
1514 Engraving, 115 x 74 mm Metropolitan Museum of Art, New York This is one of the best finished works of the artist. Like the Peasant Couple Dancing, the figure is depicted without any background or indication of the festivity for which he is playing.Artist:D?RER, Albrecht Title: The Bagpiper Painted in 1501-1550 , German - - graphics : genre |
| 42257 |
|
The Barnyard fool |
mk168
1494
|
| 42432 |
|
The Bearing of the Cross |
mk168
woodcut
389x282mm
|
| 42463 |
|
The Bearing of the Cross |
mk168
|
| 42443 |
|
The Betrayal Caiaphas |
mk168
118x75mm
1508
|
| 42302 |
|
The Betrayal of Christ |
mk168
282x180mm
Vienna.
|
| 42436 |
|
The Birth of the virgin |
mk168
297x210mm
|
| 42345 |
|
The Birth of Venus Urania |
mk168
254x195mm
|
| 42378 |
|
The Castle at Trent |
mk168
Pen and ink with watercolor on paper
196x250mm
|
| 42223 |
|
The Cathedral of Aix-la-chapelle |
mk168
126x177mm
London
The British Museum
|
| 42227 |
|
The Choir of the Great Church inbergen op zoom near the upper border |
mk168
132x182mm
|
| 42232 |
|
The Church of St.John |
mk168
Watercolor and tempera on paper
290x423mm
|
| 42226 |
|
The City hall of Alx-la-Chapelle |
mk168
127x189mm
Musee Conde
|
| 42324 |
|
The Coat of Arms of Death |
mk168
220x159mm
|
| 42370 |
|
The Courtyard of the Former Castle in innsbruck |
mk168
368x270mm
Watercolor on paper
|
| 42371 |
|
The Courtyard of the Former Castle in Innsbruck |
mk168
Watercolor on paper
335x267mm
|
| 42235 |
|
The covered Footbridge at the haller Gate in Nuremberg |
mk168
Pen and ink on paper with touches of watercolor
160x323mm
|
| 42256 |
|
The Crab fool |
mk168
1494
|
| 42258 |
|
The Crow Fool |
mk168
1494 |
| 42447 |
|
The Crowning with Thorns |
mk168
1512
Engraving
118x74mm
|
| 42451 |
|
The Crucifixion |
mk168
1507
115x71mm
|
| 42355 |
|
The Death of Orpheus |
mk168
288x225mm
|
| 42356 |
|
The Death of Orpheus |
mk168
145x216mm
|
| 42438 |
|
The Death of the Virgin |
mk168
293x206mm
Woodcut
|
| 63569 |
|
The Deformed Landser Sow |
1496 Engraving, 121 x 126 mm Staatliche Kunsthalle, Karlsruhe A deformed pig is standing on a rise above a river landscape. Its body is divided towards the back. Two front legs are sticking up out of its back. The Engraving was preceded by a leaflet by Sebastian Brant, which spread the news of the birth of a two bodied, eight legged, four eared and two tongued pig in Landser. Deformed animals such as these were interpreted as divine signs by the population, referring to the end of the world which was expected to take place in about 1500. In the course of the impending Turkish invasion, the leaflet and Engraving have also been interpreted as heralding the imminent supremacy of the heathens over the Christians, or more generally the rule of the Antichrist.Artist:D?RER, Albrecht Title: The Deformed Landser Sow Painted in 1501-1550 , German - - graphics : other |
| 42295 |
|
The Deposition of Christ |
mk168
205x290mm
Pen and ink on paper
|
| 42452 |
|
The Descent from the Cross |
mk168
1507
115x71mm
|
| 42322 |
|
The Dream of the idler |
mk168
188x119mm
|
| 63734 |
|
The Dresden Altarpiece |
1496 Oil on canvas, 117 x 96,5 cm (central panel), 114 x 45 cm (each wing) Gem?ldegalerie, Dresden The altarpiece was commissioned by Frederick the Wise for the church of the Wittenberg Castle. The altarpiece was in the Kunstkammer in Dresden as early as 1687 which explains its name. The central panel depicts Mary adoring the Child, while the side wings represent St Anthony and St Sebastian. The central panel, displayed with the side panels in the Gem?ldegalerie, has also been attributed to D?rer in the past. However, this attribution was rejected in 1991 on solid grounds and it was attributed to a Dutch painter of the name Jan, who worked in Frederick's court.Artist:D?RER, Albrecht Title: The Dresden Altarpiece Painted in 1501-1550 , German - - painting : religious |
| 63735 |
|
The Dresden Altarpiece |
1496 Oil on canvas, 117 x 96,5 cm Gem?ldegalerie, Dresden The attribution of the central panel to D?rer, displayed with the side panels in the Gem?ldegalerie, was rejected in 1991 on solid grounds and it was attributed to a Dutch painter of the name Jan, who worked in Frederick's court.Artist:D?RER, Albrecht Title: The Dresden Altarpiece (central panel) Painted in 1501-1550 , German - - painting : religious |
| 58701 |
|
The earliest painted Self-Portrait (1493) by Albrecht Durer |
The earliest painted Self-Portrait (1493) by Albrecht D??rer, oil, originally on vellum Louvre, Paris |
| 42285 |
|
The Feast of the rose Garlands the virgen,the Infant Christ and St.Dominic distribut rose garlands |
mk168
162x194cm
Oil on poplar wood
|
| 42446 |
|
The Flagellation of Christ |
mk168
1512
118x74mm
|
| 42440 |
|
The Flight into Egypt |
mk168
woodcut
298x210mm
|
| 84285 |
|
The Flight into Egypt |
Date ca. 1496(1496)
Medium Oil on pine panel
Dimensions Height: 63 cm (24.8 in). Width: 45.5 cm (17.9 in).
cjr |
| 42646 |
|
The four apostles |
MK169
1526 Panel both 216x76.2cm Alte Pinakothek, Munchen |
| 53759 |
|
The four apostles |
mk234
1523-26
215x75cm |
| 40340 |
|
The Four Holy Men |
mk156
1526
Oil on linderwood panels
215x76cm |
| 52041 |
|
The Four Holy Men |
1526
Oil on lindenwood,
215 x 76 cm |
| 45876 |
|
The four horseman |
mk178
1498
woodcuts
39.4x28.1cm |
| 42423 |
|
The Four horsemen of the Apocalypse |
mk168
394x281mm
|
| 42344 |
|
The Four Witches |
mk168
190x131mm
|
| 42383 |
|
The Great Cannon |
mk168
227x330mm
1518
|
| 28918 |
|
The Great Colvary |
mk65
Pen and brush with heightening in white lead on green Prepared paper
22 13/16x15 3/4in
Uffizi,Gallery
|
| 63562 |
|
The Great Courier |
1495 Engraving, 100 x 113 mm Kupferstichkabinett, Dresden Earlier doubts have given way to the opinion that this is D?rer's first experimental engraving since a drawing was found at Danzig (presently Gdansk in Poland) which apparently served as the model for this subject. This drawing is inscribed by D?rer: This was drawn by Wolfgang Peuer in the year 1484. Nothing else is known about Peuer. He may have been an apprentice or an assistant in the goldsmith's shop of D?rer the Elder or in the workshop of D?rer's teacher, the painter Michael Wolgemut. The watermark of the paper used for the printing of this engraving, "Cardinals's Hat," was used by D?rer infrequently beginning in 1507. It was also used for the posthumous edition of D?rer's book Unterweisung der Messung (Instructions on measurement). The rarity of this print, as well as the watermark, suggests that the remaining impressions (Dresden, Melbourne, Paris aand Vienna) are posthumous.Artist:D?RER, Albrecht Title: The Great Courier Painted in 1501-1550 , German - - graphics : other |
| 42296 |
|
The Great Crucifixion |
mk168
320x230mm
|
| 44877 |
|
The Great Piece of Turf |
mk176
1503
16x12
|
| 42358 |
|
The Great Ture |
mk168
410x315mm
|
| 42225 |
|
The Harbor at Antwerp |
mk168
pen and ink on paper
213x283mm
|
| 42366 |
|
The Head of a stag Killed by an arrow |
mk168
252x392mm
|
| 42281 |
|
THe Head of christ at age twelve |
mk168
275x211mm
|
| 42498 |
|
The Head of St.Paul |
mk168
1526
354x288mm
|
| 42365 |
|
The Head of Stag |
mk168
228x166mm
1514
|
| 42252 |
|
The Holy Family |
mk168
pen and ink on paper
204x208mm
|
| 42461 |
|
The Holy Family |
mk168
160x112mm
Temper on vellum
|
| 42475 |
|
The Holy Family |
mk168
Oil on wood
30.5x38.7cm
|
| 42250 |
|
The Holy Family in a landscape |
mk168
143x115mm
|
| 42251 |
|
The Holy Family in a landscape |
mk168
pen and ink on paper
290x214mm
|
| 42437 |
|
The Holy Family in egypt |
mk168
295x210mm
Woodcut
|
| 42253 |
|
The holy family with the dragonfly |
mk168
237x186mm
|
| 42369 |
|
The Holy Family with three rabbits |
mk168
390x280mm
|
| 42454 |
|
The holy trinity |
mk168
392x284mm
1511
|
| 63565 |
|
The Ill-Assorted Couple or the Offer of Love |
1495 Engraving, 151 x 139 mm Staatliche Museen, Berlin The style of the monogram indicates that it is one of D?rer's earliest engravings. The left-handedness of the subjects may be due to D?rer's use of an earlier model. Although a moralizing theme was read into the episode by some early commentator, D?rer probably intended to do no more than to portray purchased love.Artist:D?RER, Albrecht Title: The Ill-Assorted Couple or the Offer of Love Painted in 1501-1550 , German - - graphics : genre |
| 42460 |
|
THe Infant Savior |
mk168
118x93mm
1493
|
| 63633 |
|
The Lamentation |
1522 Silverpoint, 293 x 416 mm Kunsthalle, Bremen The corpse is leaning against the knee of the Magdalen, who is seated on the ground. The Virgin is raising Christ's head and holding his left arm on her lap. St John and Joseph of Arimathea are visible in half length. This is an extremely significant sketch for a painting in the late style, in which form is entirely saturated with expression.Artist:D?RER, Albrecht Title: The Lamentation Painted in 1501-1550 , German - - graphics : religious |
| 42336 |
|
The Large Horse |
mk168
167x119mm
|
| 52054 |
|
The Large Turf |
1503
Watercolor and gouache on paper
41 x 32 cm |
| 42431 |
|
The last supper |
mk168
1510
on the frame of the table
woodcut
395x284mm
|
| 42453 |
|
THe Last supper |
mk168
1523
Woodcut
213x301mm
|
| 63658 |
|
The Madonna and Child with a Music-making Angel |
1519 Pen, 305 x 210 mm Royal Collection, Windsor There are only slight differences in tone, but an impression of richness is achieved by the very economical variation in direction of the areas of linear shading.Artist:D?RER, Albrecht Title: The Madonna and Child with a Music-making Angel Painted in 1501-1550 , German - - graphics : religious |
| 52022 |
|
The Madonna of the Carnation |
1516
Parchment on pine,
36 x 25 cm |
| 42334 |
|
The Madonna with a Carna-tion |
mk168
1516
Oil on vellum
39x29cm
|
| 42497 |
|
The Madonna with the Iris imitator of Albrecht Durer |
mk168
149x117
1508
Oil on canvas
|
| 42368 |
|
The Madonna with the Monkey |
mk168
191x122mm
|
| 42455 |
|
The Madonna with the pear |
mk168
158x106mm
1511
|
| 42488 |
|
The Madonna with the pear |
mk168
1526
Oil on wood
|
| 42486 |
|
The Madonna with the Siskin |
mk168
on a small piece of paper on the table in front of the Virgin.
|
| 42291 |
|
THe Magdalen embracine the cross |
mk168
Chald drawing on green grounded paper
|
| 42441 |
|
The Man of Sorrow at the Column |
mk168
1509
116x75mm
|
| 42287 |
|
The Manile of the Pope |
mk168
1514
Watercolor on paper
427x288mm
|
| 42286 |
|
The Mantle of the pope |
mk168
1514
Watercolor on paper
427x288mm
|
| 42472 |
|
The Martyrdom of the ten thousand |
mk168
99x87cm
Oil on wood
|
| 63751 |
|
The Martyrdom of the Ten Thousand |
1508 Oil on canvas transferred from panel Kunsthistorisches Museum, Vienna The representation of the violence of the torturers and the various positions of their victims, on their knees and lying on the ground, demonstrates the wide knowledge D?rer had acquired about the human form and laws of perspective. A refined psychological sensibility and pictorial mastery characterize almost all the figures of this tragic scene: for example, the almost cinematographic sequence of the people who are made to fall from the cliff in the top left.Artist:D?RER, Albrecht Title: The Martyrdom of the Ten Thousand (detail) Painted in 1501-1550 , German - - painting : religious |
| 88406 |
|
The Martyrdom of the Ten Thousand |
1508(1508)
Medium Oil on canvas transferred from panel
cjr |
| 88411 |
|
The Martyrdom of the Ten Thousand |
1508(1508)
Medium Oil on canvas transferred from panel
cjr |
| 42325 |
|
The Men-s Bath |
mk168
292x282mm
|
